Documentation of Large Wall Drawing Progress

Group Crit Notes

Big thanks to Núria for taking these notes down in the group crit! PRESENTATION: – focus on memory but this time more personal – identity built into a collective well of memory, knowledge that is being passed on – collective memory from Diaspora context, growing an identity away from the context – female focus.. portraiture […]

Further Reflections on Term i Work

  Conversation with Hira (a Royal Drawing School alumini): very static terrifying because my block really comes though in the carefulness and preciousness of my process need to loosen up set myself a time of 1 or 3 hours and try to produce as many drawings in that time as possible – don’t think about […]

CYANOTYPES AND CLAY: Experimenting with Composition and Aesthetics

I decided to start off this term with trying to understand composition and balance a bit more before moving onto drawing freehand; these experiments can then serve as a reference point if I get stuck. In addition these have also helped me further my understanding of the visual aesthetic I started to develop last term. […]

Beginning of iii.ii

I’ve decided to take a step back this term; I want to see how I can use shapes and forms (inspired by nature, environments and people) to form abstract compositions that resemble the workings of the mind and memory. With a main focus still on the notions of memory and identity, I want to further […]

EXPERIMENTS ON BLACKBOARD

A documentation of the processes and layers applied within each piece. INDEX: Board 1: Neurons, Cartography and Disappearance Board 2: Abstract Landscape Board 3: Organic Lines and Forms – Neuronal Networks and Mind Matter Board 4: Texture Experiment Board 5: Pointilism Board 6: Experimental BOARD 1: The Process: BOARD 2: The Process: BOARD 3: The […]